Tag Archives: CFP

Baroque Ceiling Painting: Theory and Praxis

Call for Papers

Baroque Ceiling Painting: Theory & Praxis

Czech Republic, Litomyšl, October 20–22, 2022

The Institute of Art History of the Czech Academy of Sciences, the Department of Art History of the Faculty of Arts, Masaryk University in Brno and the Studio of Wall Painting Restoration of the Faculty of Restoration, University of Pardubice, are preparing an international scientific Conference devoted to the problems of art theory and practice in the field of wall and ceiling painting of the 17th and 18th centuries in Europe. The Conference is organized within the frame of the 2022 Annual Meeting of the Research Group for Baroque Ceiling Painting in Central Europe (BCPCE), with the support of the Czech Academy of Sciences, program Strategy AV21: Cultural Heritage as Part of European and Global Discourse.

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His Artibus: An Author (CFP)

His Artibus: An author, Her/His Environment and Artwork. Possibilities of Artists’ Biographies in the Present Day (CFP)

May 6 – 7, 2020
Masaryk University, Department of Art History
Brno, Arna Nováka 1, Czech Republic

One of the founders of the art historical discipline, Carl Friedrich von Rumohr, stated that a piece of artwork needs to be critically explained outside of itself and not according to the intention of its author. His statement stands at the beginning of an important tradition of a scientific approach to art history. In a similar sense, the thoughts of Michael Baxandall have been resonating until the present day. He reflected upon model situations of “patterns of intention” in relation to artwork, commissioning and an author and her/his environment. The philosophical and historical contributions of Michel Foucault and Roger Chartier, as well as methodological initiative of Pierre Bourdieu and Niklas Luhmann from the sociological perspective, enter the art historical debate about artworks and their authors collaterally in this tradition.

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Call for papers: The heaven of the well-to-do citizen. Baroque ceiling painting in townhouses

Peace and Prosperity – both conditions for political stability and economic prosperity always determined the lifestyle of the upper middle classes and are reflected visually in the ceiling
frescoes of the 18 th. century. A speedily executed and therefore affordable medium, ceiling painting was apt for representations of complex subject matters supported by its vast surfaces.

The free imperial city of Augsburg provided ideal conditions. The trade in textiles or silver products flourished as well as banking. In Augsburg, the centre of publishing houses and printing, a rich supply of iconographic and compositional possibilities was available. The bi-confessionally ruled academy attracted many fresco painters from the surrounding territories. Therefore, Augsburg seems to be the ideal place for an interdisciplinary symposium on ceiling paintings in bourgeois houses within a European context.

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