In Czech language with an extensive English summary.
Painting in 17th century in Bohemia is generally associated with Karel Škréta (ca. 1610 – 1674) who is considered to be a major protagonist of the new, i.e. Baroque style in the country. Nevertheless, to admit such importance it is necessary to get known also with Škréta’s hitherto underestimated contemporaries active in Prague and Bohemia such as Anton Stevens (ca. 1608 – ca. 1675), Johann Friedrich Hess (ca. 1622 – 1673) and Matthias Zimprecht (1624–1680), born in Munich and 1650s trained in Italy. The recently issued book presents their lives and works, social and professional status, their paintings are discussed in mutual relations and to Škréta’s oeuvre.
Das Generalthema des Schwerpunktes ist die visuelle Kultur der habsburgischen Repräsentation und der Versuch, diese in ihren unterschiedlichsten Ausformungen zu entschlüsseln. Unter „Repräsentation“ verstehen wir die Vergegenwärtigung von Abwesendem durch unterschiedliche Medien (z.B. durch Wappen, Bilder, Skulpturen, Medaillen, Deckenmalereien), aber auch durch symbolische Interaktion bzw. statische oder performative Kommunikation (Architektur, Raumordnung, Einzug des Herrschers, Fest). Im Zentrum steht dabei die Frage, in welcher Weise habsburgische Repräsentationsstrategien in Kunst und Architektur in den Österreichischen Erblanden sowie in den böhmischen Ländern und Ungarn zum Ausdruck kommen. Continue reading Die visuelle Kultur der Habsburgischen Repräsentation→
Krajina a venkov v baroku / Landscape and Countryside in Baroque
International conference, Horní Jiřetín and Jezeří Chateau, Czech Republic, October 14–15, 2016
The Institute of Art History of the Czech Academy of Sciences, the Omnium Association and the Town of Horní Jiřetín, in cooperation with the Departments of art history of the Czech universities, are organizing an international conference devoted to questions of landscape and countryside in the 17th and 18th centuries. The conference is focused on different aspects of formation and conception of the landscape and rural architecture and arts in the early modern era, but also on their present-day devastation. The program of the conference is enclosed.
The main objective of the centre is a cross-disciplinary analysis and interpretation of mechanisms, which may explain the cultural-historical reality throughout its long duration from the Middle Ages up to the resent. The centre intends to develop a synergistic link between research teams in the cultural-historical field at universities in Brno and Olomouc, which have for some time now been prominent in their use of such approaches. In addition there is also the intention to draw on cooperation with the most important Czech Republic researchers as well as with leading experts abroad (Wroclaw, Vienna, Paris, Lausanne). In this sense the project endeavours to link up various methodological approaches with subjects in the field, which will be monitored within the particular modules: The theory and practice of cultural-historical disciplines; Image, cult, space; Imagination, image and text; Representation, places of memory. Outputs from the project will be a series of monographs, articles and a final, methodologically targeted volume, in which all the modules will be involved.
This two-volume art-historical study and catalogue devoted to the painters Carpoforo Tencalla (1623–1685) and his younger cousin and pupil Giacomo Tencalla (1644–1689) came into being as part of a programme focusing on the documentation of and research into 17th- and 18th-century ceiling paintings in the Czech lands, which is being developed by the Institute of Art History, Academy of Sciences of the Czech Republic, in collaboration with other institutions in the Czech Republic and elsewhere. Continue reading Tencalla→
The Research Group for Baroque Ceiling Painting in Central Europe