János Jernyei Kiss (ed.), Barokk freskófestészet Magyarországon II. kötet – Baranya, Somogy, Tolna és Zala megye [Baroque Ceiling Painting in Hungary, Vol. II. – Baranya, Somogy, Tolna and Zala Counties], Budapest 2020, 560 pp., ISBN: 9786150092843
Following the first volume of the corpus of Baroque ceiling painting in Hungary, the present handbook, published in 2020, focuses on fifty-one murals located in the Southern Transdanubian counties of present-day Hungary. A part of the four-volume corpus edited by János Jernyei Kiss and published by the Hungarian Academy of Arts in collaboration with the Hungarian Museum of Architecture and Monument Protection Documentation Centre, this lavishly illustrated large-format book presents new research by fifteen authors on several aspects of monumental mural decoration during the 18th century in Hungary.
In Czech language with an extensive English summary.
Painting in 17th century in Bohemia is generally associated with Karel Škréta (ca. 1610 – 1674) who is considered to be a major protagonist of the new, i.e. Baroque style in the country. Nevertheless, to admit such importance it is necessary to get known also with Škréta’s hitherto underestimated contemporaries active in Prague and Bohemia such as Anton Stevens (ca. 1608 – ca. 1675), Johann Friedrich Hess (ca. 1622 – 1673) and Matthias Zimprecht (1624–1680), born in Munich and 1650s trained in Italy. The recently issued book presents their lives and works, social and professional status, their paintings are discussed in mutual relations and to Škréta’s oeuvre.
We would like to inform you about a new book by professor Andrzej Kozieł (University of Wrocław) and his colleagues, which offers a new profound and comprenehsive look on baroque painting in Silesia, including a richly illustrated catalogue raisonné.
We are pleased to announce the publication of a new book by Jozef Medvecký, senior research fellow of the Institute of Art History of the Slovak Academy of Sciences. The monograph Anjelský hrad v Karpatoch [Angels Castle in Carpathians] presents results of Jozef Medvecký’s long-time research into the residence of the Count Pálffy family at Červený Kameň (Western Slovakia) and its rich and splendid painterly decoration by Carpoforo Tencella (1623–1685), the famous painter from Bissone (Ticino, Switzerland).
Jozef Medvecký, Anjelský hrad v Karpatoch. Carpoforo Tencalla a ranobaroková výzdoba hradu Červený Kameň [Angels Castle in Carpathians. Carpoforo Tencalla and the Early Baroque Decoration of the castle Červený Kameň], Bratislava 2016
This two-volume art-historical study and catalogue devoted to the painters Carpoforo Tencalla (1623–1685) and his younger cousin and pupil Giacomo Tencalla (1644–1689) came into being as part of a programme focusing on the documentation of and research into 17th- and 18th-century ceiling paintings in the Czech lands, which is being developed by the Institute of Art History, Academy of Sciences of the Czech Republic, in collaboration with other institutions in the Czech Republic and elsewhere. Continue reading Tencalla→